from a tour of the Woodrow Wilson Boyhood Home, one year ago.
See also: npthompson.wordpress.com/2010/10/24/attic-window.
September 24, 2011 | Categories: interiors, nature, shaded panels, shadows | Tags: Indian summer | Comments Off
From the perspective of emerging out of the glass elevator that connects the fifteenth floor of the Lamar Building with the penthouse that rests three storeys above it.
The structure, made of marble and glass, was designed by architect I.M. Pei in 1975—a commission from Senator R. Eugene Holley. Until the Senator’s arrest and subsequent imprisonment on charges of bank fraud, the penthouse served as his office in the sky.
The space is currently a studio for the painter Randy Lambeth, to whom I owe a debt of gratitude for permission to invade and shoot.
Color shots of the interior are first here and then there.
October 18, 2010 | Categories: architectural, black and white photography, interiors, shaded panels, shadows | Tags: I.M. Pei, Italian marble, Senator R. Eugene Holley | Comments Off
February 28, 2010 | Categories: shaded panels | Tags: swimming pool | Comments Off
February 28, 2010 | Categories: shaded panels | Tags: swimming pool | Comments Off
One of six.
October 28, 2009 | Categories: abstraction, architectural, black and white photography, infrastructure, shaded panels | Tags: bright sunlight, Fremont bridge, modulated, monochromatic, narrowcast, overexposure, Portland Architecture and Design Festival, SANAA influence, tones, visual distortion | Comments Off
October 28, 2009 | Categories: abstraction, architectural, infrastructure, shaded panels | Tags: AIA Portland Architecture + Design Festival, Fremont bridge, pale blue, scrim, swathed in gauze, visual perception, wide-angle | Comments Off
Rotate your head to the right at a forty-five degree angle to achieve maximum viewing pleasure.
October 28, 2009 | Categories: abstraction, black and white photography, shaded panels | Tags: AIA Portland Architecture + Design Festival, Fremont bridge, silhouette, textural | Comments Off
